瞬间 
The Moment
 
向京、刘野、颜磊、章燕紫、徐累、李山、蒋志、张晓刚
Xiang Jing   liu Ye   Yan Lei
Zhang Yanzi   Xu Lei   Li Shan 
Jiang Zhi   Zhang Xiaogang
 
瞬间
THE MOMENT
 
展览时间:2014年03月29 – 2014 年05月29日
开幕:2014年03月29日(周六)14:00 – 18:00
(周二至周日 10:30-18:00)
展览地点:广州市天河区天河路365号天俊阁5楼
策展人:秦丹丹
策划 / 主办:5楼艺术空间
 
Duration:2014.03.29-2015.05.29 (Tue.-Sun. 10:30am-6pm)
Opening:14:00-18:00, April 4th
Venue:5F, No. 365 Tianhe Rd., Tianhe Dist., Guangzhou, Guangdong
Curated / Hosted by:5art space
Curator:Qin Dandan
瞬间
 
有这么一个人群,曾经经历,或是正在经历着无法摆脱的抑郁;这团乌云將他们的生活带到一个黑白世界;无法交流,无法接受一切来自世界的信息;只有无穷无尽的忍耐与短路。他们努力摆脱,但出口看似就是一个死结。于是在最灰暗的时刻,只有选择毁灭。
 
这个人群此刻就生活在我们中间。也许是我们的挚友,亲人,恋人,我们所无法放弃的爱人。他们的症状的名字是:忧郁症。
 
随着生活节奏和世界的变化这个人群在不断的扩大,从年青到年老。这团无法抑制的阴郁將他们的快乐吞噬;欲罢不能。
 
我不是研究此症的专家;但我和我的朋友们都无法无视他们所承受的苦痛。由于艺术的缘分,也希望以艺术的名义为他们打开一个通往快乐的道路;因为,无论何种艺术形式,都会令他们心中的另一双眼睛睁开;也许在瞬间便开启并连接到这个世界。
 
摄影是纪录并见证生活瞬间点滴的艺术,也是一种传递自己与世界的语言媒介。于是以摄影展的形式来实现此次展览的意念便相应而生。
 
在仔细甄选下,我联络了八位艺术家,希望他们以图片的形式来诠释。所幸的是,他们全部在最简短的时间内答复并支持我的想法。我在生活中认识的,李山,刘野,颜磊,张晓刚,章燕紫,向京,徐累,蒋志,他们不仅是当代中国极为优秀的艺术家;更重要的是他们是美丽,有趣,生动的人们,从外在到内在散发着独特的人格魅力,心存爱意。
 
仅希望,以一种谦逊朴素的态度,借助这些有爱的眼睛,帮助抑郁的人群打开一个看到世界天窗。
 
诚挚感谢每一位参与的艺术家的慷概相助。使那么多的不可能成为可能。
 
秦丹丹
北京。
 
 
The moment
 
Depression, unfortunately, affects young and old and can be a debilitating illness.  Like a dark cloud that shrouds the person, it leaves them isolated and powerless, There is no goal in their life where they seek solace in a cold and dark room.  They avoid conversations and meaningful interactions and has little motivation to start or finish a project.  They cannot deal with even the simplest of chores but would instead be moribund with dark thoughts.  Even if there are caring friends and family trying to reach out to help them, they are incapable of accepting help.
 
The hurly burly of modern day life has accentuated the problem and increasingly number of people are getting off of the bus of life, marooned in this inexplicable darkness.  It is a lonely journey for those who found themselves in this quagmire.
 
Art is actually a language that even the morbidly depressed can appreciate.  Regardless of the genres, art can help lift that cloud of darkness.  This common language provides them with hope, with beauty and with a meaning.  The hope is that through art, we would be able to reach out to those in the midst of their difficulties and allow them to embrace beauty, happiness and life.
 
Photography is a particularly powerful record of beauty and vibrancy. It is the ultimate language of hope and light.  It is through this medium that I hope we can exemplify the meaning of life.
 
I have therefore selected eight artists that are particularly adept at explaining beauty and life through their photography. These talented individuals have joined out cause to lend a helping hand to this worthy project.  Li Shan, Liu Ye, Yan Lei, Zhang Xiaogang, Zhang Yanzi, XiangJing, Xu Lei, Jiang Zhi are the leading contemporary artists in China with an enormous following.  Equally importantly, they are lovely and lively people, with unique inner beauty, charming personalities, and love in their hearts.
 
Through their eyes, we hope that a skylight can open up for those in their darkest hour of need.  These individuals strive to make the impossible possible.  Our sincerest thanks to these artists for lending a helping hand,
 
Dandan Qin
BeiJing
 
 
 
向京 
 
1968年出生于北京文艺世家,1995年毕业于中央美术学院雕塑系,同年举办首展,被称为“天才”艺术家。1999-2007年任上海师范大学美术学院雕塑工作室教师,2007年起与丈夫——艺术家瞿广慈一起成立X+Q雕塑工作室,现工作、生活于北京。
“通过身体说话”曾经是向京的个人标签之一。在两个系列——“保持沉默”(2003-2005)以及“全裸”(2006-2007)里,向京一直在女性身体这个主体性线索上进行思考。一些重要的个人作品如《你的身体》(2005)、《敞开者》(2006)和《一百个人演奏你?还是一个人?》(2007)等等通过艺术家的几个不同创作阶段“处女系列”、“身体系列”以及“全裸系列”来宣告了这种语言的日臻成熟,包括对雕塑语言的实验,以及在创作、布展时用空间和镜像等多重语言来映射,最终反射出艺术家在女性本体之外探讨超越“性别”,并用身体作为一个命题来说明某个群体和世界关系的探索。2011年个展《这个世界会好吗?》用杂技和动物两个系列对“处境”和“人类命运”的话题提出追问,也开启了向京艺术的全新面貌。
 
Xiang Jing
 
Born in Beijing in 1968, Xiang Jing graduated from Chinese Academy of Fine Arts Sculpture Department in 1995. She had been lecturer of sculpture studio at Fine Art College of Shanghai Normal University from 1999 to 2007. Xiang Jing founded Xiang Jing + Qu Guangci (X+Q) Sculpture Studio with her husband and artist Qu Guangci in 2007. Xiang Jing now works and lives in Beijing.
 
“Speaking through the body” used to be one of Xiang Jing’s trademarks. Ever since her two solo exhibitions Keep in Silence (2003-2005) and Naked Beyond Skin (2006-2007), Xiang Jing has been thinking and creating works around the subject of female body. Her artistic language has matured through “The Virgin series”, “The Body series”, and “Naked Beyond Skin series”, as manifested in some of her most important works such as Your Body (2005), The Open (2006), and Are a Hundred Playing You? Or Only One? (2007). Boldly experimenting with her sculptural language, Xiang Jing is also mindful about engaging space and mirror images when creating and installing her works. Eventually, Xiang Jing’s artistic concerns go beyond the female identity and sex – for her, the body is used as a premise to explain and explore how a certain group is related to the greater world.Xiang Jing’s solo exhibition Will Things Ever Get Better? From 2011 uses the acrobats series and the animal series to explore the topic of ‘predicament’ and ‘human being’s fate’, opening many new possibilities in Xiang Jing’s art.
 
 
刘野
 
1964 出生于北京
1984 毕业于北京工艺美术学校, 工业设计专业
1986-89 就读于中央美术学院, 壁画专业
1994 毕业于柏林艺术学院, 造型艺术专业
 
个展
2013 “刘野”,Johnen Galerie, Berlin,柏林
2012 “Bamboo Bamboo Broadway”, Sperone westwater 画廊,纽约
2009  “Leave me in the Dark”, Sperone westwater画廊,纽约
2007  ”迷恋”, Johnen+schoettle 画廊, 科隆
      ”刘野”, 伯尔尼美术馆, 瑞士
2006  ”诱惑”, Sperone westwater 画廊, 纽约
2005  ”刘野”, Tomio Koyama 画廊,东京
 
联展 
2013  “时代的肖像—当代艺术三十年”,上海当代艺术博物馆,上海
       “轻逸—一条线索和六张面孔”,蜂巢当代艺术中心,北京
        “北京之声:我的伙伴”,佩斯北京,北京
       “应”,应空间,北京
       
2008  "快城快客"第七届上海双年展,上海美术馆
   "Facing China-福瑞德收藏展",Akureyri 美术馆,冰岛;
    Stadtgaleries chwarz & Kunstraum Innsbruck, 奥地利
   "艺术批评中的艺术家",北京圣之空间艺术中心,北京
   "移花接木/中国当代艺术中的后现代方式",华.美术馆,深圳
   "2008年度马爹利非凡艺术人物"广东美术馆,广州;
    上海美术馆,上海;今日美术馆,北京
   "China-Facing Reality” 中国美术馆,北京
2007   ”Rockers Island-Olbricht Collection”, Folkwang 美术馆,埃森
   "麻将"萨尔茨堡美术馆,奥地利
       ”China-Facing Reality”, 维也纳现代美术馆,奥地利
2006  ”麻将",汉堡美术馆,汉堡
   "恒动-当代艺术对话",上海当代艺术馆,上海
   "Accrochage”,20.21 画廊,埃森
2005  ” 麻将"伯尔尼美术馆,伯尔尼
   "一卡通",顶层空间,北京
   "刘野/金田胜一",Frank Schlag & Cie画廊,埃森
2004  ” 虚拟的爱",台北当代艺术馆,台北
   "龙族之梦",爱尔兰现代美术馆,都柏林
   "板起面孔",多伦现代美术馆,上海
 
Liu Ye
 
1964  Bron in Beijing, China
1984  Graduated from School of Arts & Crafts,Industrial Design Dept,Beijing,China
1986-89  Studied at The Central Academy of Fine Arts, Beijing,China
1994  Graduated from Hochschule der Kunst Berlin, Germany
 
Solo Exhibitions
2012  “ Bamboo Bamboo Broadway”, Sperone Westwater, New York
2009  “Leave me in the Dark”, Sperone Westwater, New York
2007  ”Infatuation”, Johnen+Schoettle, Colonge, Germany
      ”Liu Ye”, Kunstmuseum Bern
2006  ”Temptations”, Sperone Westwater, New York
2005  ”Liu Ye”, Tomio Koyama Gallery, Tokyo
 
Group Exhibitions
2008  ”7th Shanghai Biennale”, Sanghai Art Museum, Shanghai
      ”Facing China-The Fu Ruide Collection”, Akureyri art Museum, Iceland;
       Stadtgalerie Schwarz & Kunstraum Innsbruck, Austria
      ”Artists through the Eyes of a Critic”, S Z ART CENTER, Beijing, China
      ”HYPALLAGE/The Post-Modern Mode of Chinese Contemporary Art”
       The OCT Art & Design Gallery, Overseas Chinese town, Shenzhen
      ”Martell Artists of the Year 2008″,
       joint-exhibition in the Guangdong Museum of Art, Guangzhou;
       Shanghai Art Museum, Shanghai; Today Art museum, Beijing
      ” China-Facing Reality”, National Gallery China, Beijing
2007  ”Rockers Island Olbricht Collection”, Museum Folkwang, Essen,Germany
      ”China-Facing Reality”, Museum Moderner Kunst Stiftung Ludwig Wien
2006  ”Mahjong-Chinese Contemporary Art of Sigg’s Collection”,
      Hamburger Kunsthalle, Hamburg
      ” Art in Motion”, Museum of Contemorary Shanghai, Shanghai
      ” Accrochage”, 20.21 Galerie, Essen
2005  ”Mahjong”, Kunstmuseum Bern,Bern
      ”A Cartoon”, Top Space, Beijing
      ”Liu Ye/ Schowichi Kaneda”, Galerie Frank Schlag & Cie, Essen
2004  ”Fiction.Love-Ultra New vision in Contemporary Art”,
       Museum of Contemporary Art Taipei
      ”Dreaming of the Dragon Nation, Irish Museum of Modern Art, Dublin
      ”Stone Face”, Duolun Museum of Modern Art,Shanghai
 
 
 
 
颜磊
1965年出生于河北,中国,毕业于浙江美术学院(现杭州中国美术学院),生活和工作在北京。
他是最突出和最具影响力的中国当代艺术家。他个人风格以及他的作品有着极端虚无态度以及相关的美学特征,影响和刺激着众多艺术家。
颜磊曾经在尤伦斯当代艺术中心(UCCA)和阿斯蓬美术馆(Aspen art museum)做过个展。作品在伊斯坦布尔双年展,广州三年展,圣保罗双年展,光州双年展,上海双年展,威尼斯双年展等国际大展上展出, 颜磊还在2007和2012年连续两次被邀参加德国卡塞尔文件展(Documenta)。
*2002年获得由希克(Uli Sigg)发起的中国当代艺术奖(CCAA)。
 
Yan Lei
born in 1965, Hebei, China, was a graduate of the Zhejiang Academy of Art (Now the China Academy of Art, in Hangzhou), is currently working and living in Beijing.
As one of the most outstanding and influential contemporary Chinese artist, his personal style and artworks demonstrate extreme nihilist attitude and its relevant aesthetic characteristics, whose practice stimulates many fellow artists in the field.
Yan Lei has held solo exhibitions at the Ullens Center for Contemporary Art and the Aspen Art Museum. His artworks were shown in the Istanbul Biennale, Guangzhou Triennale, Sao Paolo Biennale, Gwangju Biennale, Shanghai Biennale, Venice Biennale and many other major international exhibitions. Yan Lei was also invited to participate in both the 2007 and 2012 Documenta in Kassel Germany.
*In 2002, Yan Lei received the China Contemporary Art Award founded by Uli Sigg.
 
章燕紫
江苏镇江人。中央美术学院、首都师范大学双硕士学位,研究方向:当代水墨人物画。现就职于中央美术学院。
 
2013年 《止痛贴》获鲁迅文化奖最佳艺术作品奖
2013年 举办《止痛贴》个展(今日美术馆);
2013年 《炁》参加《大运河-第55届威尼斯双年展平行展》;
2012年 《挂号》参加《再水墨》2000-2012中国当代水墨邀请展;
2010年 《清风》参加《自我画像》女性艺术在中国;
2010年 举办《踏莎行》个展(上海美术馆);
2008年 在法国举办个人画展;
2007年《踏莎行》参加“百家金陵”画展,获金奖;
2007年《小翠》参加中国文联主办第五届中国画展,获金奖;
2005年《风 雅 颂》参加第二届北京国际双年展;  
2004年《红玫瑰和白玫瑰》获第十届全国美展铜奖;
2004年《声声慢》参加第十届全国美展;
 
 
Bio
Zhang Yanzi was born in Zhenjiang, Jiangsu Province. She is currently based in Beijing and she serves as the Editor-in-chief of CAFA ART INFO at the Central Academy of Fine Arts.
Zhang got her MFA in both the Chinese Painting Department at China Central Academy of Fine Arts and Beijing Normal University. The direction of her research is contemporary figure painting with ink and wash.
 
Awards and Selected Exhibitions:
The Remedy was awarded the Best Artwork of 2013 Lu Xun Culture Awards
The Remedy, solo show at Today Art Museum (2013)
Qi (Flow of Energy) included in The Grand Canal: Collateral Event of the 55th International Art Exhibition - La Biennale di Venezia(2013)
Registration included in Recurrence of Ink and Wash: 2000-2012 Chinese Contemporary Ink and Wash Invitation Exhibition (2012);
Refreshing Breeze included in Self Image: Woman Art in China (1920-2010), Central Academy of Fine Arts Museum (2010);
Walk While Stepping on the Gauze – Solo Exhibition of Zhang Yanzi, Shanghai Art Museum (2010);
Solo Exhibition, France (2008);
Walk While Stepping on the Gauze in Jinling Painting Exhibition of One Hundred Chinese Artists with gold award (2007);
Xiao Cui, Lichang Cup the 5th Traditional Chinese Painting Exhibition sponsored by China Federation of Literature and Art Circles with gold award (2007);
Airs of the States, Courtly Songs, and Hymns, the 2nd Beijing International Art Biennale (2005);
Red Rose and White Rose, the 10th National Art Exhibition, bronze prize (2004);
Slow, Slow Tune, the 10th National Art Exhibition (2004);
 
 
徐累
 
1963  出生于江苏省南通市
1984  毕业于南京艺术学院美术系中国画专业
现工作于中国艺术研究院创作研究中心.
 
 
 
 
Xu Lei
 
1963 Born in Nantong, Jiangshu Province,China.  
1984 Graduated from Chinese tranditional painting ,Nanjing University of the Arts.  Currently works in Chinese National Academy of Arts.
李山
 
1942  出生黑龙江兰西
1964  毕业于上海戏剧学院
1963  就读于黑龙江大学
 
个展
2014  扩延,  新加坡当代美术馆, 新加坡
2012  粉红微笑之后: 阅读‧李山,  台北当代艺术馆, 台北, 台湾
2007  南瓜计划, 李山、张平杰生物艺术作品展,  香格纳画廊主空间, 上海
         人类的进化已到尽头: 李山之阅读,  香格纳H空间, 上海
2006  阅读, 2003-2005照片,  香格纳H空间, 上海
2004  李山近期小作品展,  香格纳画廊主空间, 上海
2002  阅读, 李山新作品展,  香格纳画廊主空间, 上海
2001  李山: 子非鱼,  顶层画廊, 上海
1990  个展,  上海戏剧学院, 上海
 
 
LI SHAN
 
1942  Born in Lanxi, Heilongjiang Province
1968  Graduated from Arts Department (oil Painting) of Shanghai Theater Academy
1963  Studied at the Heilongjiang University, Heilongjiang
 
Solo Exhibitions
2014  Extension Expansion,  MoCA@Loewen, Singapore
2012  Reading Li Shan,  Museum of Contemporary Art, Taipei, Taiwan
2007  The Pumpkin Project, Li Shan & Zhang Pingjie Bio-Art Exhibition,    
         ShanghART Gallery, Shanghai
         Reading of Li Shan,  ShanghART H-Space, Shanghai
2006  Reading, Photoworks 2003-2005,  ShanghART H-Space, Shanghai
2004  Li Shan – Small New Works,  ShanghART Gallery, Shanghai
2002  Reading, the New Works by Li Shan,  ShanghART Gallery, Shanghai
2001  Li Shan: Thou Are Not the Fish,  A room with a view, Shanghai
1990  Solo Exhibition,  Shanghai Academy of Drama, Shanghai
 
 
蒋志
 
1971年生于湖南沅江,
1995年毕业于中国美术学院
现居住和工作在北京和深圳。
 
蒋志长期、深入地关注各类当代社会与文化的议题,总是自觉地处在诗学与社会学这两个维度的交汇处上,他所着力的是如何使那些我们熟悉的日常、社会经验转换进作品文本中,并保持日常经验与文本经验两个维度上的张力。在关心当代艺术自身方式问题的同时又富有鲜明的个人特点。他的语言多元广泛,在他超越了容易引起观者共鸣的空泛的个人情感和文化态度,从社会和个人的心理深层批判性地介入艺术创作和社会现实的紧张关系中,并具有极大的开放性。
 
个人作品集:
《如果这是一个人》(2012); 《颤抖》(2010); 《白色之上》(2008); 《神经质及其呓语》(2008);《照耀我》(2008);《木木》(1999)
 
主要个展:
2012  窄门 (魔金石空间,北京)
2012 “如果这是一个人”(广州,时代美术馆)
2009-2010/表态——蒋志的一个展览 (上海、香港“奥沙艺术空间”,北京“站台中国”)
2008 白色之上 蒋志个展  (奥沙艺术空间,观塘,香港)
 
 
JIANG ZHI
 
1971 Born in Yuanjiang, China
1995 Graduated from China Academy of Fine Arts
Currently lives and works in Beijing and Shenzhen, China
 
   
Jiang Zhi works with a range of mediums; such as photography, video, and installation. From the early stages of his artistic career, Jiang has been writing novels while taking photographs, which stems from his deep interest in poetry. Jiang Zhi has consciously positioned himself at the intersection of poetry and sociology. He fervently weaves familiar and mundane social experiences into his works, while at the same time maintaining the tenseness between daily life and our reading of the text. Hence, he has consistently avoided unspecific personal emotions and political statements, and shies away from feeble expressions and critiques. In this aspect, Jiang’s works are open-ended, supple, and possess a taste of poetic vigour.
 
Jiang Zhi’s catalogue includes:
If This is a Man (2012). TREMBLE (2010). On The White (2008). Neurosis and Prattle (2008). Shine Upon Me (2008). Mu Mu (1999).
 
Solo Exhibitions
2012 Strait is the Gate (Magician Space, Beijing)
2012 Jiang Zhi:If This is a Man  (Times Museum.Guangzhou.Guangdong )
2010   ATTITUDE:An Exhibiton by Jiang Zhi    (Platform China Contemporary Art Institute Beijing, China/Osage Gallery,kwun tong,Hong Kong/ Osage Gallery, Singapore)
2009    “On The White”, Jiang Zhi Solo Exhibition
 
 
 
 
张晓刚
 
1958   出生于昆明
1982   毕业于四川美术学院油画系
           现生活工作于北京
 
 
 
2013
“ZHANG XIAOGANG”, 佩斯画廊,纽约,美国
2012
“北京之声:张晓刚”,佩斯北京画廊,北京,中国
2010
“张晓刚:灵魂上的影子”,坦克库,重庆,中国
“16:9″,今日美术馆,北京,中国
2009
“史记”,佩斯北京画廊,北京,中国
“张晓刚:灵魂上的影子”, 昆士兰美术馆, 布里斯班, 澳大利亚
2008  
“修正”, 佩斯画廊, 纽约, 美国
“中国绘画:张晓刚”,鲁道夫美术馆,布拉格,捷克
2007
“张晓刚”, 萨拉 · 希尔顿美术馆, 坦佩雷, 芬兰
2006
“Home—张晓刚”, 北京公社, 北京, 中国
“ZHANG XIAOGANG Amnesia and Memory”,Gallery ARTSIDE,首尔,韩国
2005 
“张晓刚2005″, Max Protetch画廊, 纽约, 美国
2004
“时代的脐带—张晓刚绘画1989-2004″,汉雅轩画廊,香港,中国
2003   
“失忆与记忆”, 法兰西画廊, 巴黎, 法国
2000   
“张晓刚2000”, Max Protetch画廊, 纽约, 美国
1999
“同志”, 法兰西画廊, 巴黎, 法国
1998
“血缘:大家庭1998”, 汉雅轩画廊, 台北
1997  
“血缘:大家庭1997″, 中央美院画廊, 北京, 中国
1989
 “遗梦集”, 四川美术学院陈列馆, 重庆, 中国
 
 
 
2013
“溪山清远——中国当代艺术的转型”,圣塔莫妮卡艺术中心,巴塞罗那,西班牙
“历史之路——威尼斯双年展与中国当代艺术二十年”,成都当代美术馆/威尼斯,中国/意大利
“LOVE展”,森美术馆,六本木新城,日本
2012
 “开放的肖像”,民生现代美术馆,上海,中国
2011
 “溪山清远-中国新绘画”,旧金山亚洲艺术博物馆,纽约,美国
“未来通行证——从亚洲到全球”(第54届威尼斯双年展平行展览),圣格雷戈斯修道院/曼吉利瓦马拉那宫,威尼斯,意大利
“Surreal Versus Surrealism in Contemporary Art”,IVAM美术馆,巴伦西亚,西班牙
2010   
“改造历史-——2000-2009年的中国新艺术中国”,北京/上海/广州,中国
“调节器 2010第二届今日文献展”,今日美术馆,北京,中国
“建构之维-2010中国当代艺术邀请展”,中国美术馆,北京,中国
“Behide the Mask”,沃尔索尔新艺术美术馆,英格兰沃尔索尔,英国
2009
“给马可波罗的礼物-第53届威尼斯国际艺术双年展特别机构邀请展”,威尼斯国际大学,威尼斯,意大利
“INAMANIA”,阿肯当代美术馆,哥本哈根,丹麦
2008  
“China’s ReVision”,the Ludwig Museum,科布伦次,德国
“前卫中国:中国当代美术20年”, 日本国立新美术馆/日本国立美术馆, 东京/大阪,日本
“Today’s China” , the Belvue Museum
“HALF-LIFE OF A DREAM:CONTEMPORARY CHINESE ART FROM THE LOGAN COLLECTION”,The San Francisco Museum of Modern Art (SFMOMA),旧金山,美国
 “Facing Reality Selection of Chinese Contemporary Art”,中国美术馆,北京,中国
“写在墙上:中国二十世纪八九十年代新现实主义与前卫艺术展”, 格罗宁根美术馆, 荷兰 
“我们的未来—尤伦斯基金会收藏展”, 尤伦斯当代艺术中心, 北京, 中国
2007
“85新潮:中国第一次当代艺术运动”,尤伦斯当代艺术中心,北京,中国
“中国—面向现实”, 维也纳当代艺术博物馆/中国美术馆, 维也纳/北京, 奥地利/中国
“开放的中国艺术”,国立俄罗斯博物馆,圣彼得堡,俄罗斯
“黑白灰——一种主动的文化选择”,今日美术馆,北京,中国
“从西南出发-西南当代艺术展1985-2007”,广东美术馆,广州,中国
“中国当代社会艺术展”,特列恰科夫美术馆,莫斯科,俄罗斯
2006
“展开的现实主义—1978年以来的中国大陆油画”, 台北市立美术馆, 台北 
“江湖—中国当代艺术欧美巡展”, Tilton画廊, 纽约, 美国
“Mahjong Contemporary Chinese Art from the Sigg Collection”,德国汉堡艺术馆,德国
“Shu:Reinventing Books in Contemporary Chinese Art” , 华美协进社, 纽约, 美国
“今日中国—中国当代艺术的转世魅影”, 埃斯尔美术馆, 维也纳、奥地利
2005
 “寓言”展,杭州,中国
“柏拉图和它的七种精灵—当代艺术展”, OCAT当代艺术中心, 深圳, 中国
“麻将—希克中国当代艺术收藏展”, 伯恩美术馆/菲利普奥托格基金会, 瑞士/德国
“明日不回眸—中国当代艺术”, 官渡美术馆, 台北,中国
“当代视像:为收藏家办的展览—首届中国当代艺术年鉴展”, 中华世纪坛美术馆, 北京, 中国
“大河上下—新时期中国油画回顾展”, 中国美术馆, 北京, 中国
2004 
“花家地”,ART SEASONS,中国/新加坡
“少励和中国艺术家”,少励画廊,北京,中国
“中国现在”,唐人画廊,曼谷,泰国
“世界三”,沪申画廊,上海,中国
“超越界线”, 沪申画廊, 上海, 中国
“身体中国”, 马塞现代艺术博物馆, 马塞, 法国
2003  
“打开天空—当代艺术展”, 多伦现代美术馆, 上海、中国
“东方既白 二十世纪中国绘画”,中国美术馆,北京,中国
“东方既白 二十世纪中国绘画”,金门宫,巴黎,法国
2002
“In Memory:The Art of Afterward”, the Sidney Mishkin Gallery of Baruch College,纽约,美国
“时间的一个点•在长沙”,长沙美仑美术馆,湖南,中国
“图象就是力量”, 何香凝美术馆, 深圳, 中国
“BABEL 2002″, 国家现代艺术馆, 首尔,韩国
 “非亚克博览会”,巴黎,法国
“14位中国艺术家—中国制造”, Enrico Navarra画廊, 巴黎, 法国
“观念的图像—2002中国当代油画邀请展”, 深圳美术馆, 深圳, 中国
“东加西—中国当代艺术展”, 艺术家之家, 维也纳, 奥地利
2001                       
“梦—2001中国当代艺术”, 红楼轩画廊, 伦敦, 英国
“新形象—中国当代美术二十年”, 中国美术馆, 北京, 中国
“是我, 是我们”, 法兰西画廊, 巴黎, 法国
“煲—中国当代艺术展”, 奥斯陆艺术家中心, 挪威
2000
“中国当代艺术邀请展”,阿密市庇加底国家美术馆,法国
“Invisible Boundary:Metamorphosed Asian Art”,Utsunomiya Museum of Art,Japan
“中国当代肖像”, 弗郎索瓦·密特朗国家文化中心, Perigueux, 法国
“中国油画百年展”, 中国美术馆, 北京, 中国
“中国当代艺术”,皮卡迪美术馆,美国/法国
1999
“面孔—国际当代艺术展”, Namur Art Central,布鲁塞尔,比利时
“开放的本体:中国新艺术展”,旧金山现代艺术博物馆/旧金山亚洲艺术博物馆,美国
“中国当代艺术”, LIMN画廊, 旧金山, 美国
“蜕变与突破:中国新艺术”, 纽约PS1当代艺术中心, 旧金山现代美术馆, 美国
1998   
“开放的本体:中国新艺术展”,亚洲协会美术馆/PSI博物馆,美国
“Confused -Reckoning with the Future Contemporary Chinese Painting and Photography ”,阿姆斯特丹,荷兰
“玛格丽特与当代艺术”, Dostende当代美术馆, 比利时
“FACES AND BODIES OF THE MIDDLE KINGDOM CHINESE ART OF THE 1990′S”,GALLERY OTSO,埃斯波,芬兰
“中国新艺术”, 赫尔辛基美术馆, 赫尔辛基, 芬兰
1997
“中国新艺术”, 里斯本美术馆, 葡萄牙
“来自中国的面孔和身体—中国新艺术”, 布拉格美术馆, 布拉格, 捷克
“8+8-1—15位中国当代艺术家”, Schoeni画廊, 香港
“引号—中国当代艺术新加坡”, 新加坡美术馆, 新加坡
“红与灰—来自中国的八位前卫艺术家”, 斯民艺苑, 新加坡
“中国油画肖像艺术一百年”, 中国美术馆, 北京, 中国
1996
“十五位中国当代艺术家展”,葡萄牙
“觉醒的中国”,波恩艺术博物馆,德国
“现实:今天与明天 ‘96中国当代艺术”,北京国际艺苑美术馆,中国
“四点交汇,中国1996”, 法兰西画廊, 巴黎, 法国
“追昔—中国当代绘画”, 水果市场艺术中心, 爱丁堡, 英国
“分享的梦幻——中国当代艺术家五人展”,Jamaica Arts Center(牙买加艺术中心),纽约,美国
“首届当代艺术学术邀请展96-97”, 中国美术馆/香港艺术中心, 北京/香港, 中国
“第二届亚太地区当代美术三年展”, 昆士兰美术馆, 昆士兰, 澳大利亚
1995
“中国前卫艺术15年”, 巴塞罗那现代艺术博物馆, 巴塞罗那, 西班牙
“第46届威尼斯双年展”, 威尼斯, 意大利
“从国家意识形态走出—中国新艺术”, 汉堡国际前卫文化中心, 汉堡, 德国
“中国新艺术”, 温哥华美术馆, 温哥华, 加拿大
1994  
“第22届圣保罗双年展”, 圣保罗, 巴西
“NEW TRENDS ART HONG KONG”,HongKong convention and exhibition centre,香港,中国
1993   
 “九十年代的中国美术:‘中国经验’画展”,成都美术馆,中国
“后89中国新艺术大展”, 香港艺术中心/马博罗画廊, 香港/伦敦, 中国/英国
“‘毛’走向‘波普’”, 悉尼当代美术馆, 悉尼, 澳大利亚 
1992   
“广州·首届九十年代艺术双年展(油画)”, 广州, 中国
“中国当代艺术文献资料展”, 北京、广州、重庆、沈阳、上海、南京等地巡展, 中国
1991   
“不与塞尚玩牌—中国前卫艺术展美国”, 加洲亚太艺术博物馆, 加利福尼亚, 美国
1989   
“中国现代艺术大展中国”, 中国美术馆, 北京, 中国
1988
 “西南现代艺术展”, 成都, 中国
1987    
“中国现代油画”, 中国美术馆, 北京, 中国
“中国当代油画展”,纽约 Art Expo NY Javits Convention Center,美国
1986
“新具像第四届巡回学术活动展”,四川美术学院,重庆,中国
“新具象第三届展:幻灯 学术论文”,云南省图书馆,昆明,中国
“新具像第二届幻灯、学术讨论巡回展”,美术馆四层
“纪念鲁迅逝世五十周年四川版画节-四川版画展览”,中国美术家协会四川分会主办
1985   
“中国之幻”,The Art Gallery, University of Florida,美国
“新具像画展”,南京市卫生教育馆,中国
“新具象画展”,上海静安区文化馆三层展览厅,中国
 
Zhang Xiaogang
1958  Born in Kunming
1982  Graduation form Sichuan Fine Arts Institute
 
 
Solo Exhibitions
2013
“ZHANG XIAOGANG”, Pace Wildenstein, New York , USA
2012
“BEIJING VOICE ZHANG XIAOGANG”, PACE BEIJING, China
2010
“Zhang Xiaogang: Shadows in the Soul”, TankLoft, Chongqing, China
“16:9”, Today Art Museum, Beijing, China
2009
“Record”, Pace Beijing Gallery, Beijing, China
“Zhang Xiaogang: Shadows in the Soul”, Queensland Art Gallery, Brisbane, Australia
2008
“Revision”, Pace Wildenstein, New York, U.S.A.
“Chinese Painting: Zhang Xiaogang”, Galerie Rudolfinum, Prague, Czech
2007
“Zhang Xiaogang”, Sara Hilden Art Museum, Tampere, Finland
2006
“Home – Zhang Xiaogang”, Beijing Commune, Beijing, China
“ZHANG XIAOGANG: Amnesia and Memory”,Gallery ARTSIDE, Seoul, South Korea
2005  
“Zhang Xiaogang 2005″, Max Protetch Gallery, New York, U.S.A.
2004
“Umbilical Cord of History: Paintings by Zhang Xiaogang”, Hong Kong Art Center, Hong Kong
2003
“Amnesia and Memory”, Gallery of France, Paris, France
2000
“Zhang Xiaogang 2000″, Max Protetch Gallery, New York, U.S.A.
1999
“Les Camarades”, Gallery of France, Paris, France
1998
“Bloodline: The Big Family 1998″, Hanart Gallery, Taipei
1997
“Bloodline: The Big Family 1997″, Gallery of the Central Academy of Fine Arts, Beijing, China
1989
“Lost Dreams”, Gallery of the Sichuan Academy of Fine Arts, Chongqing, China
 
Selected Group Exhibitions
 
2013
Pure Views: The Transition of Chinese Contemporary Art,  Arts Santa Mònica, Bacelona, Spain
Passage to History: 20 Years of La Biennale di Venezia and Chinese Contemporary Art, Museum of Contemporary Art Chengdu / Arsenale di Venezia, China / Italy
Roppongi Hills and Mori Art Museum 10th Anniversary Exhibition – All You Need Is LOVE: From Chagall to Kusama and Hatsune Miku, Mori Art Museum, Japan
 
2012
“Face”, MingSheng Art Museum, Shanghai, China
 
2011
“Pure Views-Remote from Streams and Mountains New Painting from China”, Asian Art Museum of San Francisco, New York, USA
“Future Pass”, Fondazione Claudio Buziol, Palazzo Mangilli-Valmarana, Venice, Italy
“Surreal Versus Surrealism in Contemporary Art”,IVAM Museum,Valencia,Spain
2010
“Reshaping History-Chinart from 2000 to 2009″, Beijing / Shanghai / Guangzhou, China
“Negotiations – The 2nd Today’s Documents”, Today Art Museum, Beijing, China
“The Constructed Dimension – 2010 Chinese Contemporary Art Invitational Exhibition”, National Art Museum of China, Beijing, China
“Behind the Mask”, The New Art Gallery Walsall, UK

2009
“A Gift to Marco Polo”, Venice International University, Venice, Italy
“INAMANIA”, Arken Museum, Copenhagen, Denmark
 
2008
“China’s Revision: Focus Beijing”, Ludwig Museum, Koblenz, Germany
 “Avant-Garde China: Twenty Years of Chinese Contemporary Art”, The National Art Center, Tokyo. Traveled to: The National Museum of Art, Osaka; Aichi Prefectural Museum of Art, Nagoya, Japan
“Today’s China”, the Belvue Museum
“Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection”, The San Francisco Museum of Modern Art (SFMOMA), San Francisco, USA
“Facing the Reality: Chinese Contemporary Art”, National Art Museum of China, Beijing, China
“Writing on the Wall: Chinese New Realism and Avant-Garde in the Eighties and Nineties, Groningen Museum, Groningen, The Netherlands
“Our Future: The Guy & Myriam Ullens Foundation Collection”, Ullens Center for Contemporary Art, Beijing, China
 
2007
“‘85 New Wave: The Birth of Chinese Contemporary Art”, Ullens Center for Contemporary Art, Beijing, China
“China – Facing Reality”, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
“Black White Gray: A Conscious Cultural Stance”, Today Art Museum, Beijing, China
“Starting from the Southwest-Exhibition of Contemporary Art in Southwest China”, Guangdong Art Museum, Guangzhou, China
“From New Figurative Image to New Painting”, Tang Contemporary Art, Beijing, China
2006
“The Blossoming of Realism – The Oil Painting from Mainland China Since 1978″, Taipei Fine Arts Museum, Taipei
“Jiang Hu– Chinese Contemporary Art European and American Traveling Exhibition”, Tilton Gallery, New York, U.S.A.
“Shu: Reinventing Books in Chinese Contemporary Art”, China Institute, New York, U.S.A.
“China Now: Art in Times of Change”, Essl Museum Contemporary Art, Vienna, Austria
2005
“Allegory”, Liuhe Beyond City Real Estate, Hangzhou, China
 ”Plato and His Seven Spirits”, OCT Contemporary Art Center, Shenzhen, China
 “Mahjong: Contemporary Chinese Art from the Sigg Collection”, Kunstmuseum Bern, Germany. Traveled to: Hamburger Kunsthalle, Germany 
“Always to the Front – Chinese Contemporary Art”, Kuandu Museum of Fine Arts, Taipei 
“Contemporary View Exhibition for Collector: China First Contemporary Art Almanac Exhibition”, Millennium Museum of Art, Beijing, China
“Big River – New Period of Chinese Oil Painting and Retrospective Exhibition”, National Art Museum of China, Beijing, China 
 
2004
Hua Jia Di, Art Seasons China, Beijing, China. Traveled to: Art Seasons, Singapore
“Chine, le corps partout?”, Musée d’art contemporain de Marseille, France
“China Now-Contemporary Art Exhibition”, Tang Gallery, Bangkok, Thailand
“Three Worlds”, Shanghai Gallery of Art, Shanghai, China;
“Beyond Boundaries”, Shanghai Gallery of Art, Shanghai, China
“China, the Body Everywhere?”, Museum of Contemporary Art, Marseilles, France
2003
“Open Sky, Shanghai Duolun Museum of Modern Art”, December 28, 2003–February 27, 2004.
“The East Daybreak: 100 Years of Chinese Painting”, Museum of African and Oceanic Art, Paris, France
2002
“The 1st Triennial of Chinese Art”, Guangdong Museum of Fine Arts, Guangzhou, China
“In Memory: The Art of Afterward”, Sidney Mishkin Gallery, Baruch College, New York, U.S.A.
“A Point in Time”, Meilun Art Museum, Changsha, China
“Image is Power”, He Xiangning Art Museum, Shenzhen, China
“BABEL 2002”, National Museum of Contemporary Art, Seoul, China
“14 Chinese Artists / Made in China”, Enrico Navarra Gallery, Paris, France
“The Image of Concept”, Shenzhen Art Museum, China
“East + West – Contemporary Art of China”, Kunstlerhaus, Vienna, Austria
2001
“Dream 2001: Chinese Art in the 21st Century”, The Red Mansion Gallery, London, U.K.
“Towards a New Image: 20 Years of Contemporary Chinese Painting”, National Gallery of Art, Beijing, China
“It’s Me, It’s Us: Yue Minjun, Fang Lijun, Zhang Xiaogang Three Person Exhibition”, Galerie de France, Paris, France
“Hot Pot, Kunstnernes Hus”, Oslo, Norway
2000
“Passe-Murailles. Nouvelles scènes de l’art contemporain chinois”, Le Musée de Picardie Amiens, France
 “Hundred Years of Chinese Oil Painting”, China National Art Gallery, Beijing, China
“Portraits de Chine Contemporaine”, Espace Culturel Francois Mitterand, Perigueux, France
“Contemporary Art of China”, Picardie Museum, Amiens, France
1999
“Faces: Entre Portrait et Anonymat”, Maison de la Culture Namur, Belgium
“Inside Out: New Chinese Art”, Asia Society and P.S.1 Contemporary Art Center, New York; San Francisco Museum of Modern Art, San Francisco, U.S.A.
“1999 Art China”, LIMN Gallery, San Francisco, U.S.A.
1998
“Exhibition of International Contemporary Art Collection”, Amsterdam, The Netherlands; Brussels, Belgium
“Confused -Reckoning with the Future Contemporary Chinese Painting and Photography”, Amsterdam, The Netherlands
“Margaret and Contemporary Art”, Dostende Contemporary Museum, Belgium
“FACES AND BODIES OF THE MIDDLE KINGDOM CHINESE ART OF THE 1990′S”,GALLERY OTSO, Finland
“China New Art”, Helsinki Art Museum, Helsinki, Finland
1997
“China New Art”, Lisbon Museum of Art, Portugal
“Faces and Bodies from Middle Kingdom: Chinese Art of the 90s”, Prague Art Museum, Prague, Czech Republic
“8+8-1: 15 Chinese Artists”, Schoeni Art Gallery, Hong Kong
“Quotation Marks: Chinese Contemporary Paintings”, Modern Art Museum, Singapore
“Red and Grey: Eight Avant-Garde Chinese Artists”, Soobin Art Gallery, Singapore
“Hundred Years of Chinese Portrait”, National Art Museum of China, Beijing, China
1996
“China! New Art & Artists “, Kunstmuseum Bonn, Germany
“Reality: Present and Future”, Beijing International Art Museum, Beijing, China
“4 Points de Rencontre. Chine,1996″, France Gallery, Pairs, France
“Reckoning with the Past: Contemporary Chinese Paintings”, Fruitmarket Gallery, Edinburgh, U.K.
“The 1st Academic Exhibition of Chinese Contemporary Art”, National Art Museum of China, Beijing; Hong Kong Art Center, Hong Kong, China
“The Second Asia-Pacific of Contemporary Triennial”, Queensland Art Gallery, Queensland, Australia
1995
“Des del Pais del Centre:avantguardes artistiques xineses”, Barcelona Contemporary Art Museum, Barcelona, Spain
“The 46th Venice Biennial”, Venice, Italy
“Chinese Contemporary Art”, Hamburg, Germany
“China New Arts”, Vancouver Art Museum, Vancouver, Canada
1994
“22nd International Biennial of Sao Oaulo”, St.Paul, Brazil
“NEW TRENDS ART HONG KONG”,HongKong convention and exhibition centre, China
1993
“Chinese Fine Arts in 1990’s: Experiences in Fine Arts of China”, Sichuan Art Gallery, Chengdu, China
“Chinese New Art from Post-1989″, Hong Kong Art Center, Hong Kong
“Mao Goes Pop – China Post-89″, Museum of Contemporary Art, Sydney, Australia
1992
“The Guangzhou Biennial: Oil Paintings from the 90’s”, Guangzhou, China
“Documentary Exhibition of Chinese Contemporary Art”, Beijing, Guangzhou, Chongqing, Shenyang, Shanghai and Nanjing, China
1991
“I Don’t Want to Play Cards with Cézanne”, Pacific Asia Museum, California, U.S.A.
1989
“China Avant-Garde”, National Art Museum of China, Beijing, China
1988
“Art from Southeast of China”, Chengdu, China
1987
“Modern Art of China”, National Art Museum of China, Beijing, China
“Modern Art of China”, Art Expo NY Javits Convention Center, USA
1986
“Neo-Realism”, Chongqing and Kunming , China
1985
“Neo-Realism”, Shanghai and Nanjing, China
“CHINESE VISION”, The Art Gallery, University of Florida,USA